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	<title>Richard Stilgoe - Gaia Dergi</title>
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		<title>A bridge between romance and symbolism: The Phantom of the Opera</title>
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					<comments>https://gaiadergi.com/a-bridge-between-romance-and-symbolism-the-phantom-of-the-opera/#comments</comments>
		
		<dc:creator><![CDATA[Onur KADIOĞLU]]></dc:creator>
		<pubDate>Wed, 23 Aug 2017 00:33:33 +0000</pubDate>
				<category><![CDATA[Kültür & Sanat]]></category>
		<category><![CDATA[Müzik]]></category>
		<category><![CDATA[Tiyatro]]></category>
		<category><![CDATA[Andrew Lloyd Weber]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Charles Hart]]></category>
		<category><![CDATA[Gaston Leroux]]></category>
		<category><![CDATA[Musical Theatre]]></category>
		<category><![CDATA[Richard Stilgoe]]></category>
		<category><![CDATA[The Phantom of the Opera]]></category>
		<category><![CDATA[Tony Awards]]></category>
		<category><![CDATA[West End]]></category>
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					<description><![CDATA[<p>Le Fantôme de l&#8217;Opéra (The Phantom of the Opera) is a novel written by Gaston Leroux and was published in a literature magazine called Le Gaulois between September 23, 1909 and January 8, 1910. During that time, the value of this work was neglected. The book had its biggest hit via the adaptation of Andrew Lloyd [&#8230;]</p>
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