Hitchcock Renkli 39. İstanbul Film Festivali’nde

\u201cGerilim Ustas\u0131\u201d Alfred Hitchcock\u2019un renkli \u00e7ekti\u011fi t\u00fcm filmleri, ka\u00e7\u0131ranlar, \u00f6zleyenler ve b\u00fcy\u00fck ekranda g\u00f6rmek isteyenler i\u00e7in 39. \u0130stanbul Film Festivali\u2019nde!<\/strong><\/p>\n\n\n\n

\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 (\u0130KSV) taraf\u0131ndan 10-21 Nisan<\/strong> tarihleri aras\u0131nda yap\u0131lacak 39. \u0130stanbul Film Festivali<\/strong>\u2019ne geri say\u0131m ba\u015flad\u0131. Uluslararas\u0131 ve ulusal yar\u0131\u015fmalar, tematik b\u00f6l\u00fcmler, s\u00f6yle\u015fi ve etkinliklerin yer alaca\u011f\u0131 festivalin \u00f6zel retrospektif b\u00f6l\u00fcm\u00fc ise bu y\u0131l, \u00f6l\u00fcm\u00fcn\u00fcn 40. y\u0131ld\u00f6n\u00fcm\u00fcnde dahi y\u00f6netmen Alfred Hitchcock<\/strong>\u2019a ayr\u0131l\u0131yor.<\/p>\n\n\n\n

39. \u0130stanbul Film Festivali\u2019nin \u00f6zel b\u00f6l\u00fcmlerinden Hitchcock Renkli, <\/strong>yap\u0131tlar\u0131 yaln\u0131zca sanat de\u011fil felsefe ve psikoloji alanlar\u0131nda da konu edilen, \u201ccinayeti ait oldu\u011fu yer olan eve geri d\u00f6nd\u00fcren\u201d d\u00fcnya sinemas\u0131n\u0131 ve \u00e7a\u011fda\u015f sinemac\u0131lar\u0131 derinden etkileyen gerilim ustas\u0131 bu efsane y\u00f6netmenin filmlerini beyazperdede izleyememi\u015f gen\u00e7 ku\u015faklar\u0131 sinemaya \u00e7a\u011f\u0131r\u0131yor. Alfred Hitchcock\u2019un y\u00f6netti\u011fi, her biri bir ba\u015fyap\u0131t olan 15 uzun metrajl\u0131, renkli filmin yenilenmi\u015f kopyalar\u0131ndan g\u00f6sterilece\u011fi se\u00e7ki, y\u00f6netmenin filmografisine farkl\u0131 bir a\u00e7\u0131dan yakla\u015f\u0131yor.<\/p>\n\n\n\n

Hitchcock Renkli<\/strong> b\u00f6l\u00fcm\u00fcnde yer alacak filmler \u015funlar:<\/p>\n\n\n\n

\u00d6l\u00fcm Karar\u0131 \/ Rope (1948)<\/p>\n\n\n\n

Kapri Y\u0131ld\u0131z\u0131 \/ Under Capricorn (1949)<\/p>\n\n\n\n

Cinayet Var \/ Dial M for Murder (3D) (1954)<\/p>\n\n\n\n

Arka Pencere \/ Rear Window (1954)<\/p>\n\n\n\n

Kelep\u00e7eli \u00c2\u015f\u0131k \/ To Catch A Thief (1955)<\/p>\n\n\n\n

The Trouble with Harry (1955)<\/p>\n\n\n\n

Tehlikeli Adam \/ The Man Who Knew Too Much (1956)<\/p>\n\n\n\n

\u00d6l\u00fcm Korkusu \/ Vertigo (1958)<\/p>\n\n\n\n

Gizli Te\u015fkilat \/ North by Northwest (1959)<\/p>\n\n\n\n

Ku\u015flar \/ The Birds (1963)<\/p>\n\n\n\n

H\u0131rs\u0131z K\u0131z \/ Marnie (1964)<\/p>\n\n\n\n

Esrar Perdesi \/ Torn Curtain (1966)<\/p>\n\n\n\n

Topaz (1969)<\/p>\n\n\n\n

Cinnet \/ Frenzy (1972)<\/p>\n\n\n\n

Aile Oyunu \/ Family Plot (1976)<\/p>\n\n\n\n

Alfred Hitchcock<\/strong><\/p>\n\n\n\n

Korkuyu de\u011fil gerilimi beyazperdeye ta\u015f\u0131yan, \u201cba\u015fkalar\u0131 izleyiciye hayat dilimleri versin; ben onlara pasta dilimleri veriyorum\u201d diyen Alfred Hitchcock, 1899\u2019da Londra\u2019da do\u011fdu. 1920\u2019de sinemaya ad\u0131m atmadan bir s\u00fcre m\u00fchendis olarak \u00e7al\u0131\u015ft\u0131. 1922-1939 aras\u0131nda sesli ve sessiz filmlerini kapsayan \u0130ngiltere d\u00f6neminden sonra 1940\u2019ta Hollywood\u2019da \u00e7ekti\u011fi ilk film Rebecca<\/em> ile En \u0130yi Film Oscar\u2019\u0131n\u0131 kazand\u0131. 60 y\u0131la ula\u015fan kariyeri boyunca 50 film \u00e7ekti, ad\u0131n\u0131 ta\u015f\u0131yan televizyon program\u0131 i\u00e7in \u00e7ekti\u011fi k\u0131sa filmlerle \u00fcn\u00fcn\u00fc peki\u015ftirdi. 1980\u2019de \u00f6ld\u00fc. <\/p>\n\n\n\n

Pek \u00e7ok filminde kendi g\u00f6r\u00fcnt\u00fcs\u00fc ya da siluetini bir imza gibi kullanan Alfred Hitchcock, \u00e7a\u011fda\u015f sinemac\u0131lar\u0131n bir\u00e7o\u011funa ilham kayna\u011f\u0131 oldu. Usta auteur\u2019<\/em>ler Truffaut ile Rohmer\/Chabrol\u2019\u00fcn hakk\u0131nda kitaplar yazd\u0131\u011f\u0131 Hitchcock, teknik, mizansen, g\u00f6r\u00fcnt\u00fc, kurgu alanlar\u0131nda hep avangart\/\u00f6nc\u00fc sinemac\u0131 konumunu s\u00fcrd\u00fcrd\u00fc. Filmlerinde su\u00e7 ve ceza, yanl\u0131\u015f anla\u015f\u0131lmalar, haks\u0131z su\u00e7lamalar, i\u00e7 hesapla\u015fmalar, k\u00f6t\u00fc an\u0131lar, bilin\u00e7alt\u0131n\u0131n oyunlar\u0131 ve insan t\u00fcr\u00fcn\u00fcn t\u00fcm zaaflar\u0131n\u0131 daimi bir tedirginlik, huzursuzluk, kayg\u0131 ve elbette gerilim haliyle beyazperdeye aktard\u0131. Alfred Hitchcock, \u00f6zg\u00fcnl\u00fc\u011f\u00fc, kendi temalar\u0131n\u0131 kendi belirlemesi ve bi\u00e7imi hik\u00e2yeyle en iyi harmanlay\u0131\u015f\u0131yla sinema tarihine ge\u00e7ti. <\/p>\n\n\n\n

\u0130stanbul Film Festivali ile ilgili t\u00fcm geli\u015fmeleri; filmler, etkinlikler ve konuklarla ilgili bilgileri ve programa dair ipu\u00e7lar\u0131n\u0131 sosyal medya hesaplar\u0131m\u0131zdan takip edin, herkesten \u00f6nce haberdar olun.<\/em><\/p>\n","post_title":"Hitchcock Renkli 39. \u0130stanbul Film Festivali\u0027nde","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"open","post_password":"","post_name":"hitchcock-renkli-39-istanbul-film-festivalinde","to_ping":"","pinged":"","post_modified":"2020-01-15 10:26:34","post_modified_gmt":"2020-01-15 07:26:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/gaiadergi.com\/?p=111733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},"live_filter_cur_post_id":111733}'; block_tdi_122.td_column_number = "2"; block_tdi_122.block_type = "td_flex_block_1"; block_tdi_122.post_count = "4"; block_tdi_122.found_posts = "535"; block_tdi_122.header_color = ""; block_tdi_122.ajax_pagination_infinite_stop = ""; block_tdi_122.max_num_pages = "134"; tdBlocksArray.push(block_tdi_122); -->