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	<title>Özlem G. | Gaia Dergi</title>
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	<description>Sürdürülebilir Yaşam Dergisi</description>
	<lastBuildDate>Mon, 24 May 2021 19:44:10 +0000</lastBuildDate>
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		<title>Eurovision&#8217;da farklılık kazandı</title>
		<link>https://gaiadergi.com/eurovisionda-farklilik-kazandi/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Mon, 24 May 2021 19:44:07 +0000</pubDate>
				<category><![CDATA[Güncel]]></category>
		<category><![CDATA[Müzik]]></category>
		<category><![CDATA[Eurovision Şarkı Yarışması]]></category>
		<category><![CDATA[Feminist]]></category>
		<category><![CDATA[Kuir]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=116976</guid>

					<description><![CDATA[<p>&#8220;Örovizyon politika ile insan türünün acayipliklerinin bir araya geldiği, tam da bu yüzden kültür analizinin konusu olmayı hak eden bir tuhaf yarışma &#8230; Evropa mutluköyünün içindeki çirkinlikleri ayyuka çıkarması, LGBTİ bireylerden translara, kadınlardan kuirlere, yerel müziklerden ana dillere, beyaz Batı’nın yüzyıllarca hor gördüğü ya da yok saydığı farklılıkları görünür kılması itibariyle değerli.&#8220; Poptan daha “elit” [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/eurovisionda-farklilik-kazandi/">Eurovision&#8217;da farklılık kazandı</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
		
		
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		<item>
		<title>Bir Taşınma Hikâyesi</title>
		<link>https://gaiadergi.com/bir-tasinma-hikayesi/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Tue, 30 Jun 2020 08:30:49 +0000</pubDate>
				<category><![CDATA[Edebiyat]]></category>
		<category><![CDATA[deneme]]></category>
		<category><![CDATA[Kitap]]></category>
		<category><![CDATA[taşınma]]></category>
		<category><![CDATA[taşınmak]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=113989</guid>

					<description><![CDATA[<p>Taşınmaktan nefret ederim. Kutulardan, banttan, makastan, kitapları raftan indirip paketlerken elinize bulaşan tozdan, sizi yutacakmış gibi bir hacimdeki kıyafet kalabalığından, ağır valizlerden, eşyaları taşıdıktan sonra eski mekânı temizlemekten, taşımanın yarattığı ter kokusundan, merdiven inip çıkmaktan nefes nefese kalmaktan, taşınma sonrası oluşan açlıkla ayı gibi yemekten, yemeğin ağırlığı ile uyuyamamaktan! Atladığım bir detay kaldı mı? Kesin [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/bir-tasinma-hikayesi/">Bir Taşınma Hikâyesi</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
		
		
			</item>
		<item>
		<title>An evolutionary reading of the TV series “Humans” – 3</title>
		<link>https://gaiadergi.com/an-evolutionary-reading-of-the-tv-series-humans-3/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Tue, 15 Oct 2019 10:14:30 +0000</pubDate>
				<category><![CDATA[Feminizm]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=110754</guid>

					<description><![CDATA[<p>“Survival of the Fittest” Synths’ occurrence and the effect of environment on them has a totally different nature compared to organic creatures. They are artificially created and they cannot procreate. As a result, Lamarckian principles “sexual selection” and “use-inheritance” do not work on synth evolution. In Darwin’s “natural selection” assumption, “all life had developed from [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/an-evolutionary-reading-of-the-tv-series-humans-3/">An evolutionary reading of the TV series “Humans” – 3</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
		
		
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		<item>
		<title>An evolutionary reading of the TV series “Humans” – 2</title>
		<link>https://gaiadergi.com/an-evolutionary-reading-of-the-tv-series-humans-2/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Mon, 09 Sep 2019 08:12:51 +0000</pubDate>
				<category><![CDATA[Feminizm]]></category>
		<category><![CDATA[Gaia in English]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=110265</guid>

					<description><![CDATA[<p>Analysis of Striking Incidents and Characters in terms of Evolution “Struggle for Existence” (Continuing) Synths backlash to the aggression of human beings arises in a new character named Anatole. In Season Three, we are introduced to Anatole as the right hand of the leader of the synths Max. At first, he seems very loyal to [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/an-evolutionary-reading-of-the-tv-series-humans-2/">An evolutionary reading of the TV series “Humans” – 2</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
		
		
			</item>
		<item>
		<title>An evolutionary reading of the tv series &#8220;Humans&#8221; &#8211; 1</title>
		<link>https://gaiadergi.com/an-evolutionary-reading-of-the-tv-series-humans-1/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Tue, 20 Aug 2019 12:07:04 +0000</pubDate>
				<category><![CDATA[Gaia in English]]></category>
		<category><![CDATA[Alan Turing]]></category>
		<category><![CDATA[Arthur C. Clarke]]></category>
		<category><![CDATA[Charles Darwin]]></category>
		<category><![CDATA[Daniel Dennett]]></category>
		<category><![CDATA[evolution]]></category>
		<category><![CDATA[Karel Čapek]]></category>
		<category><![CDATA[robots]]></category>
		<category><![CDATA[Rossum’s Universal Robots]]></category>
		<category><![CDATA[Sam Vincent]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[V for Vendetta]]></category>
		<category><![CDATA[Wachowski Sisters]]></category>
		<category><![CDATA[Woman]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=109923</guid>

					<description><![CDATA[<p>“Man is just a weak reflection In evolution’s history.”[1] Science fiction as a genre is usually inspired by scientific knowledge and tries to keep reasoning while speculating on the future’s society. Charles Darwin’s (1809-1882) ideas and its domino effect on scientific thought have been dominating the world since “On the Origin of Species” (1859)was first [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/an-evolutionary-reading-of-the-tv-series-humans-1/">An evolutionary reading of the tv series &#8220;Humans&#8221; &#8211; 1</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
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		<title>Berlin Gibi Anlatmak &#8211; 2: M.I.A.</title>
		<link>https://gaiadergi.com/berlin-gibi-anlatmak-2-m-i-a/</link>
					<comments>https://gaiadergi.com/berlin-gibi-anlatmak-2-m-i-a/#comments</comments>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Tue, 11 Jun 2019 07:27:50 +0000</pubDate>
				<category><![CDATA[İnsan Hakları]]></category>
		<category><![CDATA[Yol Tepenler]]></category>
		<category><![CDATA[Berlin]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=109124</guid>

					<description><![CDATA[<p>Mathangi’nin İngiltere’de büyümüş biri olarak nasıl ayrıcalıklı olduğunun hâlâ bu kadar altını çizmesi de insanı başka türlü güçlendiriyor. Belgeselinde kullandığı görüntülerin bir kısmı 25 yaşında Sri Lanka’ya, mülteci olarak göç ettikten sonra ilk kez dönüşünde kaydettiklerinden oluşuyor. Sinema öğrencisi olarak ailesinin hikayesini anlatma niyetiyle gittiği çocukluk evinde ailesinin ona “öteki” gibi davranması ve cilalı tırnakları, [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/berlin-gibi-anlatmak-2-m-i-a/">Berlin Gibi Anlatmak &#8211; 2: M.I.A.</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
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		<title>Berlin gibi anlatmak &#8211; 1: M.I.A.</title>
		<link>https://gaiadergi.com/berlin-gibi-anlatmak-1-m-i-a/</link>
					<comments>https://gaiadergi.com/berlin-gibi-anlatmak-1-m-i-a/#comments</comments>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Sun, 09 Jun 2019 15:00:20 +0000</pubDate>
				<category><![CDATA[Kadın]]></category>
		<category><![CDATA[Yol Tepenler]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=109122</guid>

					<description><![CDATA[<p>“Beynimde beş kişiyim”* Berlin’de ikinci 8 Mart’ım. Telefonumdan Türkiye’nin hava durumunu gösteren sekmeyi kaldıralı birkaç ay olmuş. İstanbul ve İzmir 8 Mart’ında kaç kadın olduğuyla değil gösteriden gözaltına alınan olup olmadığıyla ilgileniyorum sadece. İsviçreli ev arkadaşım 90’larda, kendisi Zürih’te üniversitede okurken büyük bir feminist eyleme katıldığından bahsediyor. O zamandan bu yana, İstanbul’daki gibi geniş katılımlı [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/berlin-gibi-anlatmak-1-m-i-a/">Berlin gibi anlatmak &#8211; 1: M.I.A.</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
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		<title>A DISCUSSION ON FEMALE SUBMISSIVENESS AND PLEASURE IN THE LIGHT OF STEVEN SHAINBERG’S “SECRETARY” &#8211; 2</title>
		<link>https://gaiadergi.com/a-discussion-on-female-submissiveness-and-pleasure-in-the-light-of-steven-shainbergs-secretary-2/</link>
					<comments>https://gaiadergi.com/a-discussion-on-female-submissiveness-and-pleasure-in-the-light-of-steven-shainbergs-secretary-2/#comments</comments>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Sat, 30 Mar 2019 07:02:40 +0000</pubDate>
				<category><![CDATA[Cinsel Devrim]]></category>
		<category><![CDATA[Feminizm]]></category>
		<category><![CDATA[Kadın]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[pleasure]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=107877</guid>

					<description><![CDATA[<p>LEE HOLLOWAY AS A FEMALE MASOCHIST Mr. Grey: Why do you cut yourself, Lee? Lee: I don&#8217;t know. Mr. Grey: Is it thatsometimes the pain inside has to come to the surface and when you see evidenceof the pain inside you finally know you&#8217;re really here? Then when you watch the wound heal it&#8217;s comforting, [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/a-discussion-on-female-submissiveness-and-pleasure-in-the-light-of-steven-shainbergs-secretary-2/">A DISCUSSION ON FEMALE SUBMISSIVENESS AND PLEASURE IN THE LIGHT OF STEVEN SHAINBERG’S “SECRETARY” &#8211; 2</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
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		<item>
		<title>A DISCUSSION ON FEMALE SUBMISSIVENESS AND PLEASURE IN THE LIGHT OF STEVEN SHAINBERG’S “SECRETARY” &#8211; 1</title>
		<link>https://gaiadergi.com/a-discussion-on-female-submissiveness-and-pleasure-in-the-light-of-steven-shainbergs-secretary-1/</link>
					<comments>https://gaiadergi.com/a-discussion-on-female-submissiveness-and-pleasure-in-the-light-of-steven-shainbergs-secretary-1/#comments</comments>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Sat, 30 Mar 2019 06:07:10 +0000</pubDate>
				<category><![CDATA[Cinsel Devrim]]></category>
		<category><![CDATA[Feminizm]]></category>
		<category><![CDATA[Kadın]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[pleasure]]></category>
		<category><![CDATA[secretary]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=107873</guid>

					<description><![CDATA[<p>Shainberg’s “Secretary” is not one of the best movies on female sexuality. There are many points that would be criticized. However, in this essay, I am going to concentrate more on how the movie searches the unspoken aspects of female sexuality and pleasure. Though there are many controversial feminist perspectives on women’s pleasure, I think [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/a-discussion-on-female-submissiveness-and-pleasure-in-the-light-of-steven-shainbergs-secretary-1/">A DISCUSSION ON FEMALE SUBMISSIVENESS AND PLEASURE IN THE LIGHT OF STEVEN SHAINBERG’S “SECRETARY” &#8211; 1</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
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		<title>Sarı Yeleklilerin İzinde</title>
		<link>https://gaiadergi.com/sari-yeleklilerin-izinde/</link>
					<comments>https://gaiadergi.com/sari-yeleklilerin-izinde/#comments</comments>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Sun, 30 Dec 2018 16:22:10 +0000</pubDate>
				<category><![CDATA[Güncel]]></category>
		<category><![CDATA[İklim & Su]]></category>
		<category><![CDATA[İnsan ve Toplum]]></category>
		<category><![CDATA[Kentleşme]]></category>
		<category><![CDATA[Tarım & Gıda]]></category>
		<category><![CDATA[Eylem]]></category>
		<category><![CDATA[eylemci]]></category>
		<category><![CDATA[Fransa]]></category>
		<category><![CDATA[Sarı Yelekliler]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=106817</guid>

					<description><![CDATA[<p>Son yıllarda farklı coğrafyalarda, farklı biçimlerde beliren toplumsal hareketler genelde aynı soruyu akla getirmeleri nedeniyle ortaklaşıyor: Kim bu eylemciler? Eylemleri anlamamızda en temel uğraklarımızdan biri olan bu soru, son günlerde yakından takip ettiğimiz Sarı Yelekliler eylemlerinde de belirdi. Sarı Yelekliler başlarda akaryakıta yapılan birkaç sentlik zamlara başkaldıran &#8220;şımarık&#8221; Avrupalılar gibi lanse edilse de peşlerinde geçirdiğim, [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/sari-yeleklilerin-izinde/">Sarı Yeleklilerin İzinde</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
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		<title>“Şubadap Çocuk” Berlin-Wedding Konseri İzlenimleri</title>
		<link>https://gaiadergi.com/subadap-cocuk-berlin-wedding-konseri-izlenimleri/</link>
					<comments>https://gaiadergi.com/subadap-cocuk-berlin-wedding-konseri-izlenimleri/#comments</comments>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Tue, 27 Nov 2018 10:21:45 +0000</pubDate>
				<category><![CDATA[Çocukça]]></category>
		<category><![CDATA[Müzik]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Konser]]></category>
		<category><![CDATA[Şubadap Çocuk]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=106234</guid>

					<description><![CDATA[<p>Hayat farklı açılardan baktıkça ilginçleşen bir şey. Seneler önce Harlem Çocuk Korosu’nu Ankara Müzik Festivali kapsamında izlediğimde projeye hayranlık duymuştum. Türkiye’de de böyle çalışmalar olsa diye düşlemiştim. Oysa ben de, “proje” olmasa bile benzer bir gönüllülük işi sayesinde gitar çalmayı on beş yaşındayken Halkevi’nde öğrenmiştim. İlerleyen yıllarda, Ankara Bach Korosu’ndan Grup Yorum 25. Yıl Konseri’ne [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/subadap-cocuk-berlin-wedding-konseri-izlenimleri/">“Şubadap Çocuk” Berlin-Wedding Konseri İzlenimleri</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
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		<title>The Role Of Motherhood In Sylvia Plath’s “The Bell Jar” – 2</title>
		<link>https://gaiadergi.com/the-role-of-motherhood-in-sylvia-plaths-the-bell-jar-2/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Mon, 22 Oct 2018 07:17:35 +0000</pubDate>
				<category><![CDATA[Edebiyat]]></category>
		<category><![CDATA[Feminizm]]></category>
		<category><![CDATA[Gaia in English]]></category>
		<category><![CDATA[Kadın]]></category>
		<category><![CDATA[Kitap]]></category>
		<category><![CDATA[Class]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Motherhood]]></category>
		<category><![CDATA[Patriarchy]]></category>
		<category><![CDATA[Sylvia Plath]]></category>
		<category><![CDATA[Woman]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=105666</guid>

					<description><![CDATA[<p>Esther’s mother struggles with financial difficulties as well. “My own mother wasn&#8217;t much help. My mother had taught shorthand and typing to support us ever since my father died, and secretly she hated it and hated him for dying and leaving no money because he didn&#8217;t trust life insurance salesmen. She was always on to [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/the-role-of-motherhood-in-sylvia-plaths-the-bell-jar-2/">The Role Of Motherhood In Sylvia Plath’s “The Bell Jar” – 2</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
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		<title>The Role Of Motherhood In Sylvia Plath’s &#8220;The Bell Jar&#8221; &#8211; 1</title>
		<link>https://gaiadergi.com/the-role-of-motherhood-in-sylvia-plaths-the-bell-jar-1/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Sat, 06 Oct 2018 07:05:21 +0000</pubDate>
				<category><![CDATA[Gaia in English]]></category>
		<category><![CDATA[Kadın]]></category>
		<category><![CDATA[Kültür & Sanat]]></category>
		<category><![CDATA[Yaşam]]></category>
		<category><![CDATA[Class]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Motherhood]]></category>
		<category><![CDATA[Patriarchy]]></category>
		<category><![CDATA[Sylvia Plath]]></category>
		<category><![CDATA[Woman]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=105321</guid>

					<description><![CDATA[<p>Literary production’s “conflict” with maternity has always been a part of female writers’ discourse. Every generation had their own argument about the topic due to the struggles of their times. Virginia Woolf embodied the problems that women would be confronted with the metaphor of “Shakespeare’s Sister” and advocated that a woman needs her own room [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/the-role-of-motherhood-in-sylvia-plaths-the-bell-jar-1/">The Role Of Motherhood In Sylvia Plath’s &#8220;The Bell Jar&#8221; &#8211; 1</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Bu kalpsiz dünyayı* sevebilenler için bir kolaj</title>
		<link>https://gaiadergi.com/bu-kalpsiz-dunyayi-sevebilenler-icin-bir-kolaj/</link>
		
		<dc:creator><![CDATA[Özlem G.]]></dc:creator>
		<pubDate>Tue, 11 Sep 2018 13:59:36 +0000</pubDate>
				<category><![CDATA[İnsan ve Toplum]]></category>
		<category><![CDATA[Felsefe]]></category>
		<category><![CDATA[insan]]></category>
		<category><![CDATA[Yaşam]]></category>
		<guid isPermaLink="false">https://gaiadergi.com/?p=104992</guid>

					<description><![CDATA[<p>İnsan türü olarak sosyal hayvanlarsak eğer, geçerliliğini yitirmiş rollerden kendimizi azat etmediğimiz sürece rahata eremeyeceğiz. Ingeborg Bachmann’ın dediği gibi, “ikili ilişkilerimizde faşizmi” üreten bir tarihi tekerrür ettirmekten kaçamayacağız. Dünyanın her yerinde neo-liberalizm irili ufaklı toplumsal sarsıntılara sebep olurken, eski alışkanlığımız hiyerarşilere, unvanlara, kürklere sarılamayacağımız ayyuka çıkıyor. Kendi ebeveynlerinden daha güvencesiz bir gelecek için çalışan bir [&#8230;]</p>
<p>Sonrası <a rel="nofollow" href="https://gaiadergi.com/bu-kalpsiz-dunyayi-sevebilenler-icin-bir-kolaj/">Bu kalpsiz dünyayı* sevebilenler için bir kolaj</a> <a rel="nofollow" href="https://gaiadergi.com">Gaia Dergi</a></p>
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